The Interstellar Song Contest

15.2.6 The Interstellar Song Contest

As multicultural things with lots of weird costumes and effects and eccentric side bits that goes out here on BBC One, Eurovision and Doctor Who have always been a bit connected, so here we are.

But as an actual episode it’s as RTD says Eurovision meets Die Hard, and that’s fun, and it’s also a lot of surprise guests.

Belinda rightly gets the big crying moment.

I was just thinking we haven’t had any animal people this year.

Iona Anderson (Wynn) looks so much like Eve Myles I was expecting that to come up somehow.

The Story And The Engine

15.2.5 The Story And The Engine

Largely a bottle episode - I wasn’t surprised when I learned writer Inua Ellams is a playwright. (Thanks to Emmet Asher-Perrin at Reactor for linking his prologue to the episode.)

Having downplayed Ncuti Gatwa’s Blackness, an episode stemming from where the Doctor feels more accepted. Various Doctors have had places to go and feel at home, but the ones we’ve seen are usually with recurring supporting cast in the U.K.

The delayed reveal of the Barber had me expecting him to be someone familiar. I hope he will be, or this gets us more of Ariyon Bakare as wise and possibly sinister mysterious characters.

Big slow artistic spider probably not going to set off too many arachnophobes, which is nice.

Lucky Day

15.2.4 Lucky Day

Going into the back half of the season unspoiled - I’d seen clips showing Ruby organising the defence of the pub and the bit with her telling the story (which in isolation made me wonder if this was really her?) but that was it.

So I didn’t know what was coming at all.

Dalek at 20

Having brought back Doctor Who could they bring back the Daleks and make them work?

Yes.

James Whitbook for io9 on Dalek twenty years on.

The Well

15.2.3 The Well

Happy to have one Aliens episode every year or two, and I appreciate the yes-obviously-Aliens-ness of it. And the Planet Of The Vampires look of the suits. (See also the second Aquaman film.)

And a heart-tugging central guest performance by Rose Ayling-Ellis as Aliss.

And then...

... Okay, you can get away with bringing back a scary one-time-only monster if you wait seventeen years.

And another bonus for watching the credits.

Next week, Ruby! And after that, I have no idea...

Lux

15.2.2 Lux

I had this pegged as a Pantheon episode right away.

A Scottish actor recorded in New York as the voice of a Hollywood cartoon playing in Miami which is actually Wales.

Belinda continuing to be reasonably annoyed but running with it partially because she has to and partially because she’s a good person.

A light touch for the issues of the time.

A quick sketch of fans rather than a full portrait like Love And Monsters, but still showing them love. And a lovely little grace note - look at the credits.

(Does this mean the Doctor and Belinda just made our universe real? Er...)

Next week, Planet Of The Vampires?

The Robot Revolution

And here we go.

15.2.1: The Robot Revolution

Funny stompy robots are a bit less funny when they kill a cat and then a bunch of sympathetic characters.

Wondering if the bitten guy was gong to be plot, or might be later, or just a passing emergency-rooms-are-horrible reference.

Who gave the Doctor Belinda’s name?

People who saw Superman III at an impressionable age just flinched up and down the country, and I don’t believe for a second that wasn’t intentional.

Proper horrible looking cyborg for Saturday teatime.

Rose

Doctor Who celebrating its twentieth anniversary a year and a half after its sixtieth anniversary. Well, yes.

Mr. Benn

BBC sort-of-animated classic Mr. Benn, as mentioned in Joy To The World, continues to sneak into reality.

Pulled up at a traffic light in some small Swiss town and...

..wait... what?

 

Richard Littler on Bluesky

For those wondering, it was about a man visiting a costume shop with two doors in the changing room, the second leading to the world the costume was for...

World Book Day

Read a book!

1970s BBC Poe

Via horror writer and media critic Kim Newman, something I had never heard of:

In the mid-1970s, BBC2 tried to get a tradition going in parallel with BBC1's MR James-heavy Ghost Story for Christmas by doing Edgar Allan Poe stories as special editions of their Centre Play slot. Only two were made, both directed by James Ormerod.

Here's Andrew Davies' adaptation of 'The Imp of the Perverse', with Michael Kitchen, Philip Stone, Lalla Ward and Milton Johns. 

And here's Hugh Whitemore's 'William Wilson' with Norman Eshley, Stephen Murray, C-3PO and Robert Tayman.

15.2 trailer

Here!

Good to note the reluctant companion warming to the adventures upfront, showing that won’t be a drag for long.

Amusing to finally be doing a Eurovision episode after the long run of connecting jokes.

Ruby being sinister? Oh noes.

Alan Cumming cartoon on the loose is presumably a spooky god thing?

April 12th

(Which means, like 20 years ago, starting on the Saturday of Conpulsion.)

Okay Big Finish you have my attention

Nine and Rose.

Telefantasy Time Jump

Telefantasy Time Jump begins with Paul Cornell and Lizbeth Myles discussing British genre telly (and other genre telly for subscribers) starting with The Quatermass Experiment.

(With a historical note about series before that, beginning with Algernon Blackwood reading a ghost story at the end of the first BBC TV broadcast!)